My Beauty Best Teacher

TMS sits down for a chat with Ory Okolloh to talk about her transformation from young nerd to one of the most effective activists for citizen empowerment to come out of Africa in the past decade.

Image courtesy of Deb Lindsey/FOR THE WASHINGTON POST

“A layer of oil on top of the food is a way of honoring you,” says Osseo-Asare, a sociologist who has been studying Ghanaian foods since the early 1970s. “Somebody is trying to show you respect, and Americans are like, ‘Yuck, get that oil out of there!’ ”

Busted!

This is Osseo-Asare’s gift: She knows the soft, sensitive underside of the Western palate and how to attack it when someone dares to pass premature judgment on West African food. But more than that, Osseo-Asare knows the baggage that Americans can bring to the table. We’re not only averse to oily preparations and extreme heat, but we’re also not afforded a full view of the many cuisines that define West African cooking.

The defining experience of Chinua Achebe’s life was the Nigerian civil war, also known as the Biafran War, of 1967–1970. The conflict was infamous for its savage impact on the Biafran people, Chinua Achebe’s people, many of whom were starved to death after the Nigerian government blockaded their borders. By then, Chinua Achebe was already a world-renowned novelist, with a young family to protect. He took the Biafran side in the conflict and served his government as a roving cultural ambassador, from which vantage he absorbed the war’s full horror. Immediately after, Achebe took refuge in an academic post in the United States, and for more than forty years he has maintained a considered silence on the events of those terrible years, addressing them only obliquely through his poetry. Now, decades in the making, comes a towering reckoning with one of modern Africa’s most fateful events, from a writer whose words and courage have left an enduring stamp on world literature.

Achebe masterfully relates his experience, both as he lived it and how he has come to understand it. He begins his story with Nigeria’s birth pangs and the story of his own upbringing as a man and as a writer so that we might come to understand the country’s promise, which turned to horror when the hot winds of hatred began to stir. To read There Was a Country is to be powerfully reminded that artists have a particular obligation, especially during a time of war. All writers, Achebe argues, should be committed writers—they should speak for their history, their beliefs, and their people. Marrying history and memoir, poetry and prose, There Was a Country is a distillation of vivid firsthand observation and forty years of research and reflection. Wise, humane, and authoritative, it will stand as definitive and reinforce Achebe’s place as one of the most vital literary and moral voices of our age

Still image from Restless City

“In this intense twist on the American Dream, director Andrew Dosunmu vividly captures the pulsating dynamic of New York city's pan-African community, a robust aggregation that subsists amid an often hostile foreign environment. “Restless City” is a mesmerizing glimpse into a culture and community that is only superficially seen by indifferent New Yorkers.” – Duane Byrge, The Hollywood Reporter