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Menampilkan postingan yang diurutkan menurut tanggal untuk kueri fela. Urutkan menurut relevansi Tampilkan semua postingan
Menampilkan postingan yang diurutkan menurut tanggal untuk kueri fela. Urutkan menurut relevansi Tampilkan semua postingan

#OccupyNigeria satire bites back

From Storyful:
The ongoing Nigerian protests against the scrapping of the fuel subsidy have garnered the support of musicians and even invoked the spirits of some dead ones...demonstrators ‘resurrected’ dead afrobeat legend and human rights activist Fela Anikulapo Kuti to join their rally. Protesters have also shown how to ‘occupy’ Nigerian-style as some all but moved their sitting rooms out onto the street...[continue reading]

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Nigeria’s Promise, Africa’s Hope

Chinua Achebe writing in the NYTimes:

What can Nigeria do to live up the promise of its postcolonial dream? First, we will have to find a way to do away with the present system of political godfatherism. This archaic practice allows a relative handful of wealthy men — many of them half-baked, poorly educated thugs — to sponsor their chosen candidates and push them right through to the desired political position, bribing, threatening and, on occasion, murdering any opposition in the process. We will have to make sure that the electoral body overseeing elections is run by widely respected and competent officials, chosen by a nonpartisan group free of governmental influence or interference.
And we have to find a way to open up the political process to every Nigerian. Today, we have a system where only those individuals who can pay an exorbitant application fee and finance a political campaign can vie for the presidency. It would not surprise any close observer to discover that in this inane system, the same unsavory characters who have destroyed the country and looted the treasury are the ones able to run for the presidency.
Concluding:
In the end, I foresee that the Nigerian solution will come in stages. First we have to nurture and strengthen our democratic institutions — and strive for the freest and fairest elections possible. That will place the true candidates of the people in office. Within the fabric of a democracy, a free press can thrive and a strong justice system can flourish. The checks and balances we have spoken about and the laws needed to curb corruption will then naturally find a footing.
More here
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Quick Hits

Women bloggers discuss war of a different kind of War-Global Voices
Law And Disorder In Lagos: Louis Theroux And Area Boys-Max Siollun
An ode to Fela "When you kill us we rule!"-Liberator Magazine
A Catalyst "Give to Nigeria"
The potential cost of another Sudanese war-FT

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Extremism, Religion & Africa

Kingsley Ewetuya writes in Politics Africa

In perhaps his most iconic work, Fela Anikulapo Kuti in the song “Coffin for Head of State” irreverently bemoaned the unseemly encroachment of Christianity and Islam in our politics, commerce and national affairs...He satirically lambasted the influence of the clergy and Imams–particularly their unbarred access to those who line the corridors of power. In doing so, he was labeled a heretic and an anti-establishment radical who opposed the social order that these religions create for the betterment of mankind.
More here

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"Fela the musical" update

Fela the musical arrives on broadway:

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Fela!

The NYTimes reports on the new off-broadway show Fela!

“Fela!” is both a homage to Mr. Kuti’s creativity and a study of his persona, and it combines rump-shaking musical numbers with political monologues and supernatural plot twists. It features Sahr Ngaujah in the title role, a team of 13 dancers and a crack 10-piece band with members of Antibalas, a Brooklyn group that has made a name for itself as one of the premier recreators of Mr. Kuti’s music...[continue reading]

photo courtesy of Richard Termine for The New York Times

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Fela Sowande

HalfTribe profiles the work of Fela Sowande:

A Nigerian composer who collected African melodies and developed them into original compositions. One of his many works, the African Suite, written in 1944, combines well-known West African music with European methods. For the opening movement, Joyful Day, Sowande uses a melody written by Ghanaian composer Ephrain Amu. In Nostalgia, Sowande composes a traditional slow movement to express his nostalgia for the homeland, and the finale, Akinla, began as a popular Highlife tune.

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