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The Art of Abyssinia

Maddy Fry of Think Africa on the art of Ethiopia,in the words of SOAS scholar Jacopo Gnisci:
Triptych with Virgin and ChildFlanked by archangels Nancy and Robert Nooter Collection. Tadias
“14th to 17th century Ethiopian art is unique in that it incorporated a variety of influences in its language. Works came from as far as the Indian Ocean and the Mediterranean Basin, yet many artists remained faithful to their African roots.”
Examples include Coptic crosses made in the northern town of Lalibela bearing Greek inscriptions and 14th century manuscripts edged with Byzantine gold, despite gold plating not being a widely used technique in Ethiopian industries. Likewise, images from the 14th and 15th centuries of Adam and Eve, the Madonna and Child and the Crucifixion of Christ show prominent Venetian and Jewish influences.
However, Ethiopian artists had notably little interest in aesthetics. Art was created with a specific purpose, designed to bring the observer into greater contact with the metaphysical. Given the centrality of Christianity to life in Ethiopia, appreciating Ethiopian art appears essential in understanding the very soul of the country itself, providing an insight into the history, culture and beliefs of many of its peoples.
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