In the New Yorker:
When Teju Cole began work on his current project, a non-fiction narrative of Lagos, Nigeria, his African hometown and one of the largest and fastest growing cities in the world, he encountered a problem. He wanted to move beyond statistics to the experience of the individual Lagosian. But how to capture, in any meaningful way, the variety and abundance of life in the city? He began reading the daily newspapers (eleven in all), and found himself drawn to the small items—petty crimes, metro reports. Here, he thought, was Lagos in the raw. He determined to make use of the stuff, though he realized that it wouldn't quite fit the book.More here
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