The prominence of theatrical work derived from the continent continues,Reuters reports:
Africa is providing a lot of fine material for the London theatre these days.A rare outing for Wole Soyinka’s Death and the King’s Horseman was a highlight at the National last year. This was followed, also at the National, by Matt Charman’s The Observer, which unpicked preparations for an election in an unnamed African nation.More recently, Lynn Nottage’s excellent Ruined, which dealt with tough themes relating to women’s lives in the Democratic Republic of Congo, has just finished an acclaimed run at the Almeida in Islington...[continue reading]
Lynn Nottage courtesy of Reuters
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